京剧的英语介绍带翻译
⑴ 京剧翻译成英语语法
Peking opera or Beijing opera (simplified Chinese: 京剧抄; traditional Chinese: 京剧; pinyin: Jīngjù)
京剧的袭腔调以西皮和二黄为主，主要用胡琴和锣鼓等伴奏，被视为中国国粹。
京剧于2010年，获选进入人类非物质文化遗产代表作名录。
⑵ 京剧的英语作文，急，在线等
Beijing opera or Peking opera is a form of traditional Chinese theatre which combines music, vocal performance, mime, dance and acrobatics.The Peking opera painted face refers to the unique colorful make－ of an actor in the opera. It is characterized by the use of bright colors to exaggerate or distort his features.In Peking opera, red is the color of loyalty and bravery, and yellow suggests old age. Blue is the sign of a rebellious character. White symbolizes treachery. Black signifies good vigorous character. Gold and silver are used on faces of deities, spirits and demons.And the Beijing opera costumes are also various and beautiful.We can tell them from the kinds and color of flowers in the costuumes.In a word ,Peking opera is such an intereting and beautiful art.
⑶ 京剧英文简介
Peking Opera, once called pingju, is one of the five major operas in China.
（京剧，曾称平剧，中国五大戏曲剧种之一。）
The scene layout pays attention to freehand brushwork, tone to xipi, erhuang mainly, with the accompaniment of huqin and gongs and drums.
（场景布置注重写意，腔调以西皮、二黄为主，用胡琴和锣鼓等伴奏。）
Regarded as the quintessence of Chinese culture, Chinese opera tops the list.
（被视为中国国粹，中国戏曲三鼎甲“榜首”。）
Peking Opera travels all over the world, with Beijing as the center and throughout China.
（京剧走遍世界各地，分布地以北京为中心，遍及中国。）
It has become an important medium to introce and spread traditional Chinese art and culture.
（成为介绍、传播中国传统艺术文化的重要媒介。）
On November 16, 2010, Beijing Opera was listed in the representative list of world intangible cultural heritage.
（在2010年11月16日，京剧被列入“世界非物质文化遗产代表作名录”。）
(3)京剧的英语介绍带翻译扩展阅读
京剧行当分类：
1，生
除了花脸以及丑角以外的男性正面角色的统称，分老生（又分重唱的安工老生，重做的衰派老生，重武的靠把老生）、武生（分长靠武生、短打武生并应工猴儿戏）、小生（分扇子生、雉尾生、穷生、武小生） 、红生 、娃娃生。
2，旦
女性正面角色的统称，分青衣（正旦）、花旦、闺门旦、刀马旦、武旦、彩旦。
3，净
俗称花脸，大多是扮演性格、品质或相貌上有些特异的男性人物，化妆用脸谱，音色洪亮，风格粗犷。“净”又分为以唱功为主的大花脸，分正净（重唱功，称铜锤、黑头）、架子花（重工架）、武二花、摔打花、油花（一称毛净）。
4，丑
扮演喜剧角色，因在鼻梁上抹一小块白粉，俗称小花脸。分文丑（分方巾丑、袍带丑、老丑、荣衣丑，并兼演彩旦、婆子）、武丑（又称开口跳）等。各个行当都有一套表演程式，在唱念做打的技艺上各具特色。
⑷ 介绍京剧的英语作文
Peking Opera, once called pingju, is one of the five major operas in China.
（京剧，曾称平剧，中国五大戏曲剧种之一。）
The scene layout pays attention to freehand brushwork, tone to xipi, erhuang mainly, with the accompaniment of huqin and gongs and drums.
（场景布置注重写意，腔调以西皮、二黄为主，用胡琴和锣鼓等伴奏。）
Regarded as the quintessence of Chinese culture, Chinese opera tops the list.
（被视为中国国粹，中国戏曲三鼎甲“榜首”。）
Peking Opera travels all over the world, with Beijing as the center and throughout China.
（京剧走遍世界各地，分布地以北京为中心，遍及中国。）
It has become an important medium to introce and spread traditional Chinese art and culture.
（成为介绍、传播中国传统艺术文化的重要媒介。）
On November 16, 2010, Beijing Opera was listed in the representative list of world intangible cultural heritage.
（在2010年11月16日，京剧被列入“世界非物质文化遗产代表作名录”。）
(4)京剧的英语介绍带翻译扩展阅读
京剧行当分类：
1，生
除了花脸以及丑角以外的男性正面角色的统称，分老生（又分重唱的安工老生，重做的衰派老生，重武的靠把老生）、武生（分长靠武生、短打武生并应工猴儿戏）、小生（分扇子生、雉尾生、穷生、武小生） 、红生 、娃娃生。
2，旦
女性正面角色的统称，分青衣（正旦）、花旦、闺门旦、刀马旦、武旦、彩旦。
3，净
俗称花脸，大多是扮演性格、品质或相貌上有些特异的男性人物，化妆用脸谱，音色洪亮，风格粗犷。“净”又分为以唱功为主的大花脸，分正净（重唱功，称铜锤、黑头）、架子花（重工架）、武二花、摔打花、油花（一称毛净）。
4，丑
扮演喜剧角色，因在鼻梁上抹一小块白粉，俗称小花脸。分文丑（分方巾丑、袍带丑、老丑、荣衣丑，并兼演彩旦、婆子）、武丑（又称开口跳）等。各个行当都有一套表演程式，在唱念做打的技艺上各具特色。
⑸ 京剧英语作文怎么写
你好，很高兴帮助你
1、 Opera translation: a great taskIn recent years, more and more foreign dramas and operas are being performed in Chinese theatres. However, it seems that chances for foreign audience to enjoy Chinese traditional operas are relatively fewer, resulting in an unbalanced exchange between China and the other foreign countries in the world. Beijing Opera, the very repress introced to more audience of Chinese traditional operas, worth being of the entire world. Mrs. Elizabeth Wichmann-Walczak's version of Mei Lanfang's representative Beijing Opera work The Phoenix Returns to Its Nest sets a good example.2、A brief introction to Beijing OperaBeijing Opera (or Peking Opera) has existed for over 200 years.It is widely regarded as the highest expression of Chinese culture. It is known as one of the three main theatrical systems in the world. Artistically, Beijing Opera is perhaps the most refined form of opera in the world. It has deeply influenced the hearts of the Chinese people. Although it is called Beijing Opera, its origins are not in Beijing but in the Chinese provinces of Anhui and Hubei. After absorbing the operatic tunes of regional operas such as Han Opera, Hui Opera, and Kunqu Opera, it became a genre of national significance and popularity ring the 1790's. The charm of Beijing Opera lies in the comprehensive form of stage art. It is an organic combination of script literature, the performing techniques of "singing, reciting, dance-acting and acrobatics", music, painted-face make-ups and costumes, and so on.3、Beijing Opera translationThe early attempts to bring Chinese drama to the West mainly consisted in translation of traditional Chinese opera lyrics, which served as literature for the purpose of reading rather than performance. These include Xi Xiang .Ii and a great number of other Yuan dynasty operas. In 1741, Zhao Shi Gu Er, or as Edward Cave rendered it, Chau Shi Ku Eul: The Little Orphan of the Family of Chau, was translated into English. Three English versions' of this play were published in London, translated respectively by Edward Cave, William Hatchett and John Watts. Among the modern classics in Chinese modern drama translated into English were Cao Yu's Thundestorm by Wang Tso-Bang and A.C. Barnes and Wildness by James Liu. Since the late 1970s, many new Chinese plays have been collected in anthologies of translations of contemporary Chinese literature.以上资料，引用请注明出处（见“参考资料”）4、In this period, Peking opera became the most popular and economically developed form of urban stage entertainment in China and its actors, playwrights, and patrons were central figures in the popular imagination and cultural politics of the day. As a diverse group these actors and their allies worked within the context of a rapidly changing urban and national culture to overcome social and political discrimination and elevate their art to the level of internationally recognized cultural respectability. In the process, Peking opera was in many ways on the leading edge of modern transformations and experimentations in creating new meanings for popular theater, new dynamics of urban sociability, and new representations of gender, while at the same time serving as a symbol for a traditional culture that many sensed was receding under the pressures of modernization.
参考资料：浙江大学，邵佳，《戏剧翻译与文化——京剧翻译初探》，11－12页。
⑹ 用英语写一篇介绍京剧艺术大师梅兰芳的文章
editor: Kathryne Ogrod & Elsa Zhang 中国京剧艺术大师梅兰芳，舞台生涯五十多年。他与饭店感情颇深：天津是他每年必到之地，来即下榻来即下榻利顺德332房间，梅先生多次入住饭店与饭店员工结下了深情，饭店将332房间恭修为“兰芳套房”。梅先生的艺术风采和音容笑貌在这里留下了深深的回忆。 京剧行当中梅兰芳最擅演的是“旦”.京剧中把女性统称为“旦”，其中按照人物的年龄、性格又可细分为许多行当，饰演大家闺秀和有身份的妇女称为“正旦”，正旦在京剧中俗称“青衣”，这就是因为正旦所扮演的角色常穿青色的长衫而得名。京剧《窦娥冤》中的女主角窦娥就是典型的青衣角色。青衣的表演庄重娴静，秀雅柔婉，以唱功为主，一般说来，青衣的唱腔旋律优美，细腻婉转。 梅兰芳先生在促进我国与国际间文化交流方面作出了卓越的贡献。他是我国向海外传播京剧艺术的先驱。他曾于1919年、1924年和1956年三次访问日本，1930年访问美国，1935年和1952年两次访问苏联进行演出，获得盛誉，并结识了众多国际著名的艺术家、戏剧家、歌唱家、舞蹈家、作家和画家，同他们建立了诚挚的友谊。他的这些活动不仅增进了各国人民对中国文化的了解，也使我国京剧艺术跻入了世界戏剧之林。 梅兰芳先生是中国表演艺术的象征，是我国人民的骄傲。 a century of astor (6) beijing opera floats overseas Mr Meilanfang, the master of Peking Opera, spent more than fifty years on the stage. During those years he came to Tianjin every year and the Astor Hotel was his favorite hotel. The room 332 became his home for many years and he developed a deep friendship with the clerks there. The room is called the Lanfang Suite. Meilanfang is good at playing the role of women in Beijing operas, called “Dan”. According to the age and personality of the character, there are many different kinds of Dans. If she is a decent girl, will be called “Zhengdan” or “Qingyi” if she is just a young girl; the character on the stage is usually dressed in blue. The heroine of “Dou E’s Grievance” is a typical “Qingyi” character. This kind of character is supple and elegant; the singing skill is the most important technical point and the song itself is soft and beautiful. Mr Meilanfang increases international communication between China and other countries as the forerunner who spreads Beijing opera abroad. He has visited Japan in 1919, 1924 and 1956. In 1930, he visited America. He visited Russia in 1935 and 1952, which gained him a high reputation. During this period he knew many famous artists, singers, dancers, writers and painters. Because of his travels, there was an improved culture understanding in many countries. From that time forward, Beijing opera is listed into the dictionary of international drama. Mr Meilanfang is the symbol of Chinese acting art and holds with him our pride.
⑺ 国粹京剧英语翻译
国粹京剧
Beijing（Peking） opera
Beijing opera or Peking opera (simplified Chinese:京剧; traditional Chinese:京剧; pinyin:Jīngjù) is a form of traditional Chinese theatre which combines music,vocal performance,mime,dance and acrobatics.It arose in the late 18th century and became fully developed and recognized by the mid-19th century.[1] The form was extremely popular in the Qing Dynasty court and has come to be regarded as one of the cultural treasures of China.[2] Major performance troupes are based in Beijing and Tianjin in the north,and Shanghai in the south.[3] The art form is also enjoyed in Taiwan,where it is known as Guoju (国剧; pinyin:Guójù).It has also spread to other countries such as the United States and Japan.
⑻ 京剧角色的英语介绍
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