京劇的英語介紹帶翻譯
⑴ 京劇翻譯成英語語法
Peking opera or Beijing opera (simplified Chinese: 京劇抄; traditional Chinese: 京劇; pinyin: Jīngjù)
京劇的襲腔調以西皮和二黃為主，主要用胡琴和鑼鼓等伴奏，被視為中國國粹。
京劇於2010年，獲選進入人類非物質文化遺產代表作名錄。
⑵ 京劇的英語作文，急，在線等
Beijing opera or Peking opera is a form of traditional Chinese theatre which combines music, vocal performance, mime, dance and acrobatics.The Peking opera painted face refers to the unique colorful make－ of an actor in the opera. It is characterized by the use of bright colors to exaggerate or distort his features.In Peking opera, red is the color of loyalty and bravery, and yellow suggests old age. Blue is the sign of a rebellious character. White symbolizes treachery. Black signifies good vigorous character. Gold and silver are used on faces of deities, spirits and demons.And the Beijing opera costumes are also various and beautiful.We can tell them from the kinds and color of flowers in the costuumes.In a word ,Peking opera is such an intereting and beautiful art.
⑶ 京劇英文簡介
Peking Opera, once called pingju, is one of the five major operas in China.
（京劇，曾稱平劇，中國五大戲曲劇種之一。）
The scene layout pays attention to freehand brushwork, tone to xipi, erhuang mainly, with the accompaniment of huqin and gongs and drums.
（場景布置注重寫意，腔調以西皮、二黃為主，用胡琴和鑼鼓等伴奏。）
Regarded as the quintessence of Chinese culture, Chinese opera tops the list.
（被視為中國國粹，中國戲曲三鼎甲「榜首」。）
Peking Opera travels all over the world, with Beijing as the center and throughout China.
（京劇走遍世界各地，分布地以北京為中心，遍及中國。）
It has become an important medium to introce and spread traditional Chinese art and culture.
（成為介紹、傳播中國傳統藝術文化的重要媒介。）
On November 16, 2010, Beijing Opera was listed in the representative list of world intangible cultural heritage.
（在2010年11月16日，京劇被列入「世界非物質文化遺產代表作名錄」。）
(3)京劇的英語介紹帶翻譯擴展閱讀
京劇行當分類：
1，生
除了花臉以及丑角以外的男性正面角色的統稱，分老生（又分重唱的安工老生，重做的衰派老生，重武的靠把老生）、武生（分長靠武生、短打武生並應工猴兒戲）、小生（分扇子生、雉尾生、窮生、武小生） 、紅生 、娃娃生。
2，旦
女性正面角色的統稱，分青衣（正旦）、花旦、閨門旦、刀馬旦、武旦、彩旦。
3，凈
俗稱花臉，大多是扮演性格、品質或相貌上有些特異的男性人物，化妝用臉譜，音色洪亮，風格粗獷。「凈」又分為以唱功為主的大花臉，分正凈（重唱功，稱銅錘、黑頭）、架子花（重工架）、武二花、摔打花、油花（一稱毛凈）。
4，丑
扮演喜劇角色，因在鼻樑上抹一小塊白粉，俗稱小花臉。分文丑（分方巾丑、袍帶丑、老丑、榮衣丑，並兼演彩旦、婆子）、武丑（又稱開口跳）等。各個行當都有一套表演程式，在唱念做打的技藝上各具特色。
⑷ 介紹京劇的英語作文
Peking Opera, once called pingju, is one of the five major operas in China.
（京劇，曾稱平劇，中國五大戲曲劇種之一。）
The scene layout pays attention to freehand brushwork, tone to xipi, erhuang mainly, with the accompaniment of huqin and gongs and drums.
（場景布置注重寫意，腔調以西皮、二黃為主，用胡琴和鑼鼓等伴奏。）
Regarded as the quintessence of Chinese culture, Chinese opera tops the list.
（被視為中國國粹，中國戲曲三鼎甲「榜首」。）
Peking Opera travels all over the world, with Beijing as the center and throughout China.
（京劇走遍世界各地，分布地以北京為中心，遍及中國。）
It has become an important medium to introce and spread traditional Chinese art and culture.
（成為介紹、傳播中國傳統藝術文化的重要媒介。）
On November 16, 2010, Beijing Opera was listed in the representative list of world intangible cultural heritage.
（在2010年11月16日，京劇被列入「世界非物質文化遺產代表作名錄」。）
(4)京劇的英語介紹帶翻譯擴展閱讀
京劇行當分類：
1，生
除了花臉以及丑角以外的男性正面角色的統稱，分老生（又分重唱的安工老生，重做的衰派老生，重武的靠把老生）、武生（分長靠武生、短打武生並應工猴兒戲）、小生（分扇子生、雉尾生、窮生、武小生） 、紅生 、娃娃生。
2，旦
女性正面角色的統稱，分青衣（正旦）、花旦、閨門旦、刀馬旦、武旦、彩旦。
3，凈
俗稱花臉，大多是扮演性格、品質或相貌上有些特異的男性人物，化妝用臉譜，音色洪亮，風格粗獷。「凈」又分為以唱功為主的大花臉，分正凈（重唱功，稱銅錘、黑頭）、架子花（重工架）、武二花、摔打花、油花（一稱毛凈）。
4，丑
扮演喜劇角色，因在鼻樑上抹一小塊白粉，俗稱小花臉。分文丑（分方巾丑、袍帶丑、老丑、榮衣丑，並兼演彩旦、婆子）、武丑（又稱開口跳）等。各個行當都有一套表演程式，在唱念做打的技藝上各具特色。
⑸ 京劇英語作文怎麼寫
你好，很高興幫助你
1、 Opera translation: a great taskIn recent years, more and more foreign dramas and operas are being performed in Chinese theatres. However, it seems that chances for foreign audience to enjoy Chinese traditional operas are relatively fewer, resulting in an unbalanced exchange between China and the other foreign countries in the world. Beijing Opera, the very repress introced to more audience of Chinese traditional operas, worth being of the entire world. Mrs. Elizabeth Wichmann-Walczak's version of Mei Lanfang's representative Beijing Opera work The Phoenix Returns to Its Nest sets a good example.2、A brief introction to Beijing OperaBeijing Opera (or Peking Opera) has existed for over 200 years.It is widely regarded as the highest expression of Chinese culture. It is known as one of the three main theatrical systems in the world. Artistically, Beijing Opera is perhaps the most refined form of opera in the world. It has deeply influenced the hearts of the Chinese people. Although it is called Beijing Opera, its origins are not in Beijing but in the Chinese provinces of Anhui and Hubei. After absorbing the operatic tunes of regional operas such as Han Opera, Hui Opera, and Kunqu Opera, it became a genre of national significance and popularity ring the 1790's. The charm of Beijing Opera lies in the comprehensive form of stage art. It is an organic combination of script literature, the performing techniques of "singing, reciting, dance-acting and acrobatics", music, painted-face make-ups and costumes, and so on.3、Beijing Opera translationThe early attempts to bring Chinese drama to the West mainly consisted in translation of traditional Chinese opera lyrics, which served as literature for the purpose of reading rather than performance. These include Xi Xiang .Ii and a great number of other Yuan dynasty operas. In 1741, Zhao Shi Gu Er, or as Edward Cave rendered it, Chau Shi Ku Eul: The Little Orphan of the Family of Chau, was translated into English. Three English versions' of this play were published in London, translated respectively by Edward Cave, William Hatchett and John Watts. Among the modern classics in Chinese modern drama translated into English were Cao Yu's Thundestorm by Wang Tso-Bang and A.C. Barnes and Wildness by James Liu. Since the late 1970s, many new Chinese plays have been collected in anthologies of translations of contemporary Chinese literature.以上資料，引用請註明出處（見「參考資料」）4、In this period, Peking opera became the most popular and economically developed form of urban stage entertainment in China and its actors, playwrights, and patrons were central figures in the popular imagination and cultural politics of the day. As a diverse group these actors and their allies worked within the context of a rapidly changing urban and national culture to overcome social and political discrimination and elevate their art to the level of internationally recognized cultural respectability. In the process, Peking opera was in many ways on the leading edge of modern transformations and experimentations in creating new meanings for popular theater, new dynamics of urban sociability, and new representations of gender, while at the same time serving as a symbol for a traditional culture that many sensed was receding under the pressures of modernization.
參考資料：浙江大學，邵佳，《戲劇翻譯與文化——京劇翻譯初探》，11－12頁。
⑹ 用英語寫一篇介紹京劇藝術大師梅蘭芳的文章
editor: Kathryne Ogrod & Elsa Zhang 中國京劇藝術大師梅蘭芳，舞台生涯五十多年。他與飯店感情頗深：天津是他每年必到之地，來即下榻來即下榻利順德332房間，梅先生多次入住飯店與飯店員工結下了深情，飯店將332房間恭修為「蘭芳套房」。梅先生的藝術風采和音容笑貌在這里留下了深深的回憶。 京劇行當中梅蘭芳最擅演的是「旦」.京劇中把女性統稱為「旦」，其中按照人物的年齡、性格又可細分為許多行當，飾演大家閨秀和有身份的婦女稱為「正旦」，正旦在京劇中俗稱「青衣」，這就是因為正旦所扮演的角色常穿青色的長衫而得名。京劇《竇娥冤》中的女主角竇娥就是典型的青衣角色。青衣的表演莊重嫻靜，秀雅柔婉，以唱功為主，一般說來，青衣的唱腔旋律優美，細膩婉轉。 梅蘭芳先生在促進我國與國際間文化交流方面作出了卓越的貢獻。他是我國向海外傳播京劇藝術的先驅。他曾於1919年、1924年和1956年三次訪問日本，1930年訪問美國，1935年和1952年兩次訪問蘇聯進行演出，獲得盛譽，並結識了眾多國際著名的藝術家、戲劇家、歌唱家、舞蹈家、作家和畫家，同他們建立了誠摯的友誼。他的這些活動不僅增進了各國人民對中國文化的了解，也使我國京劇藝術躋入了世界戲劇之林。 梅蘭芳先生是中國表演藝術的象徵，是我國人民的驕傲。 a century of astor (6) beijing opera floats overseas Mr Meilanfang, the master of Peking Opera, spent more than fifty years on the stage. During those years he came to Tianjin every year and the Astor Hotel was his favorite hotel. The room 332 became his home for many years and he developed a deep friendship with the clerks there. The room is called the Lanfang Suite. Meilanfang is good at playing the role of women in Beijing operas, called 「Dan」. According to the age and personality of the character, there are many different kinds of Dans. If she is a decent girl, will be called 「Zhengdan」 or 「Qingyi」 if she is just a young girl; the character on the stage is usually dressed in blue. The heroine of 「Dou E』s Grievance」 is a typical 「Qingyi」 character. This kind of character is supple and elegant; the singing skill is the most important technical point and the song itself is soft and beautiful. Mr Meilanfang increases international communication between China and other countries as the forerunner who spreads Beijing opera abroad. He has visited Japan in 1919, 1924 and 1956. In 1930, he visited America. He visited Russia in 1935 and 1952, which gained him a high reputation. During this period he knew many famous artists, singers, dancers, writers and painters. Because of his travels, there was an improved culture understanding in many countries. From that time forward, Beijing opera is listed into the dictionary of international drama. Mr Meilanfang is the symbol of Chinese acting art and holds with him our pride.
⑺ 國粹京劇英語翻譯
國粹京劇
Beijing（Peking） opera
Beijing opera or Peking opera (simplified Chinese:京劇; traditional Chinese:京劇; pinyin:Jīngjù) is a form of traditional Chinese theatre which combines music,vocal performance,mime,dance and acrobatics.It arose in the late 18th century and became fully developed and recognized by the mid-19th century.[1] The form was extremely popular in the Qing Dynasty court and has come to be regarded as one of the cultural treasures of China.[2] Major performance troupes are based in Beijing and Tianjin in the north,and Shanghai in the south.[3] The art form is also enjoyed in Taiwan,where it is known as Guoju (國劇; pinyin:Guójù).It has also spread to other countries such as the United States and Japan.
⑻ 京劇角色的英語介紹
隔三差五戲曲網能幫你，你去看看