英語影評高中

Ⅰ 高中生寫的關於電影 英雄 的英語影評

Midway through the composition of this essay, I came across Jenny Kwok』s well-researched writings on the genesis and phenomenon of Zhang Yimou』s Hero (2004). In particular, her insight into the Chinese folkloric 「wu xia」 or chivalrous-swordsman fiction presents a fertile angle for criticism of this genre within the poetic (as opposed to sensationalistic) aspect of Hero』s martial arts choreography, framing and editing. Often, Zhang favors close-ups or a series of closer shots of the physical action instead of wide angles – to show off physics-defying acrobatic firsts– because the martial arts function to a greater degree as metaphors. Nonetheless, an examination of this particular genre is beyond the scope of my essay, so Kwok』s analysis of Hero from the 「wu xia」 angle will more than suffice for now. This essay also forgoes comments on the all-star cast and the Hong Kong actors』 infrequent but detectable slips in their Mandarin accent. Another rain check goes to a critique of the imperfect CG special effects displayed in the Zhao-siege long shots, as compared to say a costlier Ridley Scott Hollywood epic. Furthermore, e to the alist nature of the filmmakers』 intentions –of a blockbuster for the world and a culture-conscious film– Hero』s technical merit, both in its narrative structure and metaphorical showmanship, elevates it to a contemporary masterpiece, not a timeless work of art. Observations of this alism is again credited to Jenny Kwok』s writings from her paper 「Hero: China』s response to Hollywood globalization.」

Ⅱ 高中生水平的英語影評，最好原創。

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Ⅲ 英語影評。要高中生水平的。電影無限制，但是要健康的。最好是當紅電影。

《阿甘正傳》觀後感（英文） To be honest, this is the first time I ever write a review of a movie. And this beginning is a tough one—with an Oscar winner as its subject, surrounding which there is considerably controversy over the values it has questioned, the thoughts it tried to implicitly convey, and the art of the movie itself. Forrest Gump mould incarnation of virtue is honest keeping one』s word , conscientiously , brave paying attention to motioning among film. In the film, Forrest Gump is a very pure image, but Jenny has become the degenerate symbol . And write the great discrepancy originally in this. To all that narrated, since beginning all behave with a kind of tender feeling and well-meaning attitude after all for the film, having even joined poesy composition, this makes the film seem soft and have no injury. The film advocates to traditional moral concept and embodiment. Make film apt to accept by people, director superb lay out skill and film application of language make the film very attractive too. Success with commercial for film content of the film has given security, and the treatment on director』s art makes the film more excellent, this is reason that the film succeeds. It was the box-office hits the most in that year to become U.S.A. in < Forrest Gump>. 《阿甘正傳》影評 阿甘是一個出生很不幸的人，通常人們總是認為這種人不能成功， 在做任何事情過程中。 但是，相反，這個不幸的人已經取得許多難以置信的成功，他是一個足球明星，一名戰爭英雄和一個百萬富翁！ 阿甘在影片中被塑造成了美德的化身，誠實、守信、認真、勇敢而重視感情。在影片中，阿甘是十分純潔的形象，而珍妮則成了墮落的象徵。這與原著有著極大的出入。對於所敘述的一切，影片自始自終都是以一種溫情和善意的態度來表現的，甚至還加入了詩意化的成分，這使得影片顯得柔和而無傷害性。影片對傳統道德觀念的宣揚和體現。使影片變得易為人們所接受，導演高超的編排技巧和電影語言的運用也使影片十分吸引人。影片的內容為影片商業上的成功提供了保證，而導演藝術上的處理也使得影片更加精彩，這就是影片成功的原因所在。《阿甘正傳》成了美國當年最為賣座的電影之一。

Ⅳ 求一篇萬用英語影評高中水平100字以內

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搜一下：求一篇萬用英語影評高中水平100字以內
如有疑問，請追問。

Ⅳ 求一篇萬用英語影評高中水平100字以內

A recent article on "Touching the Void" focused on the reactions of mountaineers to films about their often deadly avocation. Many commented that virtually no movie dealing with mountain climbing felt real to them. I suspect that Kevin MacDonald's gripping part re-enactment, part-documentary may be the rare exception that will capture the interest of amateur and professional mountaineers. (I haven't climbed since 1966 when I and two fellow Army officers set the record for summiting Seoul, Korea's Namsan from its almost inaccessible east face.)
Simon, a very experienced climber, and Joe, a younger devotee, sought to be the first to reach the top of Peru's Siula Grande through a forbidding and unconquered approach. Before heading to a remote location to establish a base camp they picked up Richard, a traveler with no experience or interest in climbing but a hale-fellow-well-met willing to babysit the camp while the two adventurers climbed.

Ⅵ 跪求5篇高中水平的英語原版電影的影評

天下無賊英文影評
http://www.imdb.com/title/tt0439884/
天下無賊》：全是廣告

這段時間各種媒體對《天下無賊》的報道鋪天蓋地，自己也沒能抵抗住馮小剛這塊金字招牌的誘惑，11號晚上乖乖地在新東安給這部商業大片貢獻了100兩銀子。影片一開始的付彪學英語就來了個頭彩，不知道是否因為葯物治療而發胖的彪哥把這個既怕老婆又色心不死的大款演的惟妙惟肖，而劉德華教訓小區保安的段子也是典型的馮氏幽默。不過很快地，影片的調子就向著正劇的方向跑去，除了葛優葛大爺依然維持了冷麵笑匠的本色時不時冒出一兩句的經典台詞來讓人捧腹。恩，口吃的范偉與娘娘腔的馮遠征打劫的這一段也讓人難忘，看著那麼胖的范偉手裡拿著一把小斧頭的樣子，以及馮遠征那句「笑什麼笑，這兒打劫呢，嚴肅點兒！」，實在是太好玩了。

劉德華這次的表現我要拍手叫好，從開始的狂妄，到與賊團伙交手的穩健，再到為情而捨身取義，他的表演過渡得很自然，比起《十面埋伏》里的蒼白與一味耍酷，要有血有肉得多。當然，這也跟劇本與導演的駕馭能力有關，在對港台商業演員的使用上，馮小剛比張藝謀明顯要高出一籌。

整部影片中的軟廣告無處不在見縫就入。一開始的Canon攝像機和BMW轎車自不必說，搞笑的是扮成旅行團的一夥盜賊，每人手上還舉著一個小旗子，旗上三個大字：「淘寶網」，這倒跟他們「淘寶」的身份挺符合的，哈哈。還有劉德華與劉若英遞過來遞過去的一張銀聯卡，警察的HP筆記本和Canon便攜列印機，而影片中出現得最多的，就是Nokia手機了。在寺廟里從香客處偷來的手機，居然全是Nokia的，每偷一個還給個手機的特寫，劉德華與劉若英對發手機簡訊，也全是大幅的手機特寫鏡頭，最搞笑的是影片最後，劉德華手中的Nokia是如此的光芒四射，整個屏幕的焦點完全在這手機上了，而警察同志拿起手機來幫劉德華發出最後的簡訊時，「中國移動」的標志又象刀一樣的刻在了觀眾的視線里。

雖然這么多的軟廣告讓人覺得有點好笑，但這部影片整體上還是相當精緻的，馮小剛這次是完完全全地打造著一部商業大片，故事的情節、場面和音樂都繼續向好來塢靠攏，這是件好事，沒有那麼多的思想，沒有那麼多的說教，讓觀眾舒舒服服地在電影院中度過兩個小時的童話時光，這就夠了。

Ⅶ 幫忙搞一篇英語觀後感120詞，要得奧斯卡獎的電影，高中水平

The Descendants was a pleasant surprise. As a series of character studies, the cast rises above what could have been a fairly pedestrian tale of loss and discovery (in other words, the movie that you expect to see after viewing the trailer). George Clooney plays a fellow (Matt King) trying his best to be a nice guy in the face of conflict. His portrayal as a man trapped between doing the right thing and the thing he wants to do is the central theme of the movie played out against the backdrops of business, family and death.

The supporting cast was excellent as a collection of family and friends caught in much of the same dilemma as Matt, but coming to terms with it in far different ways. Special mention to the ever interesting Robert Forster and Beau Bridges (and those decadent eyebrows).

A special word about the King family. The trailer would leave us to believe that the two children are spoiled rotten offspring. In fact, they love their father and rally to his support when needed. Even the elder daughter's stoner boyfriend ends up as an important aspect of Matt's trip to resolve his "dilemma".

Finally, a word about George Clooney's award-nominated performance. Mr. Clooney is that odd kind of actor that everyone knows gives good performances, but that is probably discounted because he is a bit too cute. Perhaps that is why we're so comfortable with him blowing things up and being a tongue-in-cheek tough guy in the movies. In this film, he showed the torment and conflict of his character clearly and simply, without flourish and flash and the result was satisfying in the extreme.
奧斯卡電影 《後裔》
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Ⅷ 高中電影超體英語影評

電影超體的英語影評，見附件。

如果看不到附件，請用電腦訪問。